Against Labor highlights the tenacious efforts by employers to organize themselves as a class to contest labor. Ranging across a spectrum of understudied issues, essayists explore employer anti-labor strategies and offer incisive portraits of people and organizations that aggressively opposed unions. Other contributors examine the anti-labor movement against a backdrop of larger forces, such as the intersection of race and ethnicity with anti-labor activity, and anti-unionism in the context of neoliberalism. Timely and revealing, Against Labor deepens our understanding of management history and employer activism and their metamorphic effects on workplace and society. Contributors: Michael Dennis, Elizabeth Esch, Rosemary Feurer, Dolores E. Janiewski, Thomas A. Klug, Chad Pearson, Peter Rachleff, David Roediger, Howard Stanger, and Robert Woodrum.

Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference
 
THEATRE HISTORY STUDIES, VOLUME 38
 
PART I: Studies in Theatre History
 
MATTHIEU CHAPMAN
Red, White, and Black: Shakespeare’s The Tempest and the Structuring of Racial Antagonisms in Early Modern England and the New World
 
MICHAEL CHEMERS AND MICHAEL SELL
Sokyokuchi: Toward a Theory, History, and Practice of Systemic Dramaturgy
 
JEFFREY ULLOM
The Value of Inaction: Unions, Labor Codes, and the Cleveland Play House
 
CHRYSTYNA DAIL
When for “Witches” We Read “Women”: Advocacy and Ageism in Nineteenth-Century Salem Witchcraft Plays
 
MICHAEL DENNIS
The Lost and Found Playwright: Donald Ogden Stewart and the Theatre of Socialist Commitment
 
Part II: HEMISPHERIC HISTORIOGRAPHIES
 
EMILY SAHAKIAN, CHRISTIANA MOLLDREM HARKULICH, AND LISA JACKSON-SCHEBETTA
Introduction to the Special Section
 
PATRICIA YBARRA
Gestures toward a Hemispheric Theatre History: A Work in Progress
 
ERIC MAYER- GARCÍA
Thinking East and West in Nuestra América: Retracing the Footprints of a Latinx Teatro Brigade in Revolutionary Cuba
 
ANA OLIVAREZ-LEVINSON AND ERIC MAYER-GARCÍA
Intercambio: A Visual History of Nuevo Teatro from the Ana Olivarez-Levinson Photography Collection
 
JESSICA N. PABÓN-COLÓN
Digital Diasporic Tactics for a Decolonized Future: Tweeting in the Wake of #HurricaneMaria
 
LEO CABRANES-GRANT
Performance, Cognition, and the Quest for an Affective Historiography
 
Part III: Essays from the Conference
 
The Robert A. Schanke Award-Winning Essay, from the 2019 Mid-America Theatre Conference
 
JULIE BURRELL
Reinventing Reconstruction and Scripting Civil Rights in Theodore Ward’s Our Lan’
 
The Robert A. Schanke Honorable Mention Essay, MATC 2019
 
MATTHEW MCMAHAN
 
Projections of Race at the Nouveau Cirque: The Clown Acts of Foottit and Chocolat